
Melbourne videographers for brand films, TVCs, corporate events and social content, from our Collins Street studio. A crew that scales from a single shooter to a hundred-head set, planned around what each film has to do.
Trusted by more than 200 brands, from Porsche, L'Oréal, Hilton, BMW and the NRL to growth-focused Australian businesses.
A film can look beautiful and still do nothing for the business. So every production starts with what the film has to achieve, who it is for and where it will play, and the concept, the script and the shot list are built from that.
Then it is made properly. Cinema cameras, lighting, aerials, sound, grading and motion graphics, with a crew sized to the job: one shooter for a social series, a hundred heads for a TVC. You see the work at every stage and it is not finished until you are happy with it.
Bleo's Melbourne studio is on Collins Street, and the team films for brands across Melbourne and beyond: brand films, corporate events, TVCs and social content. Every shoot starts with a clear plan for what the content has to achieve, so it captures attention and moves people to act.
No project is too big or too small. Launching a campaign, refreshing the brand's content or building a library of assets, the same team handles the idea, the shoot, the edit and the delivery, and the marketing that puts it in front of the right people.
Sixteen kinds of film, one example of each. Hover over a card, or tap it, for what the format is for, then play the example.

A film that sells the stay: rooms, restaurants, pool and the feeling of arriving, shot at the hour each looks best. Made for the booking page, the ads and the listings.

The building, the views and the finish, from the aerial that places it to the detail of a tap. Built for the sales suite, the launch and the campaign that follows.

Who the brand is, in a few minutes: the people, the craft and the reason it exists. The piece that sits on the homepage and opens every pitch.

Company profiles, capability films and the story for investors and recruits, with interviews, motion graphics and footage from site.

The night, cut so the people who were there feel it again and the people who were not want to come next year. Highlights the same week, longer edits after.

Dishes, drinks and the room they are served in, lit and styled to make people hungry. For menus, socials and the ads that fill tables.

Garments and eyewear on people, in motion, in a setting that carries the brand. Campaign films and the vertical cuts for Reels and TikTok.

The product, its detail and how it works, in thirty seconds or less. For product pages, marketplaces and the placements where the picture does the selling.

Interiors, exteriors and the neighbourhood, with aerials to place the property. Made to get the right buyer to the inspection.

Scale, process and the people on site, with the safety and community story told as carefully as the engineering.

The establishing shots nothing else can get: sites, coastlines, buildings and progress over time, cut with the ground footage so the scale lands.

Months of a build or a fit-out in a minute. Cameras placed for the duration and an edit at each milestone, for progress updates and the launch film.

Explain the product, the process or the risk clearly, for customers or staff. Script, presenter, graphics and a cut for each channel.

Movement, speed and effort, shot close at high frame rates and cut to the beat. For app launches, teams, events and activewear brands.

A song given a story. Concept, locations, choreography and a cinematic grade, planned with the artist and the label.

The best of the work in a minute or two: for a company, a product range or a venue, so the strengths land before anyone reads a word.
Most production houses hand over a master file and leave. Here the film is cut knowing where it will play, the ad cutdowns are planned on the shoot day, and the same team that runs your campaigns watches how it performs and comes back for the next edit.
When your brand looks world-class, people treat it that way. That is the point of making it properly, and the reason it has to be seen by the right people once it is made.
Multiplex, Queens Wharf, Brisbane. The showcase film, four minutes.
In the last 12 months we've completed 5 lifestyle videos and over a dozen food videos with the team at Bleo. With the use of drones, the footage obtained was incredible.
Kirsty, Turmeric AustraliaFrom the creative team who attended our video and photo shoot, right through to pre and post production, they were professional, energetic and great communicators.
Melissa, Attwood MarshallFrom day one everything felt right. Harmonious and professional with no stone unturned. Creativity and cinematography are second to none.
Mario, Mario VayneAI answers can be wrong. For anything important, call 1300 174 007.